By Lee Marshall
'Bootlegging is a brilliant, provocative and hugely readable research of the excessive idea and coffee practices of tune copyright and its transgressors. it's so much fresh to learn a sociological research of a subject matter often left to attorneys and apologists. a vital booklet for a person who desires to comprehend the modern song industry'
Simon Frith - Professor of movie and Media reviews, college of Stirling.
Bootlegs - stay live performance recordings or studio outtakes reproduced with out the permission of the rights holder - carry a renowned place within the pantheon of well known tune. also they are a lot misrepresented and this interesting e-book constitutes the 1st complete size educational therapy of the subject.
By reading the centrality of Romantic authorship to either copyright and the tune undefined, the writer highlights the mutual dependence of capitalism and Romanticism, which situates the person because the key artistic strength whereas tough the commodification of paintings and self.
Marshall finds how the need for bootlegs is pushed via an identical beliefs of authenticity hired via the valid in its copyright rhetoric and perform and demonstrates how bootlegs exist as an hostile yet beneficial part of an that does a lot to avoid them.
This publication might be of significant curiosity to researchers and scholars within the sociology of tradition, social idea, cultural experiences and law.
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Additional info for Bootlegging: Romanticism and Copyright in the Music Industry (Published in association with Theory, Culture & Society)
Bootlegging: Romanticism and Copyright in the Music Industry (Published in association with Theory, Culture & Society) by Lee Marshall